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Fullymaxxed releases new album today, Wednesday, November 22

Nov
22

By SARAH M. VASQUEZ

sarah@bigbendnow.com

FAR WEST TEXAS – FullyMaxxed’s new EP “Until Then” marks a new chapter in Max Ferguson’s music.

“This is for everybody that’s gone through anything that sucks,” said Ferguson.

The electronic musician has performed as FullyMaxxed before he was old enough to drive, first starting as a DJ dressed in costume. Removing the large cardboard mask, he started performing with a keytar in hand to divert from DJing, and now he’s ready to create music that he can perform live. Inspired from a breakup, “Until Then” tells a story with each short skit sandwiched between the four songs.

“It’s fairly different from what I usually make,” said Ferguson. “I sing on every song on there, which is very rare because I’m not a singer.”

The EP starts with two guys chatting and driving until they see their suicidal friend also named Max standing on train tracks. As the train approaches, they yell at Max to stop. The intense moment ends with the sound of a rushing train, but spoiler alert, Max lives.

Growing up in Presidio, music was always a part of Ferguson’s life. His parents, John and Lucy Ferguson, have taught music in Presidio ISD and his sister Molly recently won the Tejano Idol singing competition. The family also performs together with The Resonators and Mariachi Santa Cruz. It was his grandpa though that introduced Ferguson to electronic music.

Graduating from Presidio High School in May, Ferguson now studies music performance at Sul Ross State University in Alpine, but admits he spends more time in his dorm room creating music.

He says today’s EP release is the start to something special.

“It’s me pouring myself into music and I think a lot of people would enjoy it,” said Ferguson.

“Until Then” is available on fullymaxxed.com.

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Ballroom Marfa names Laura Copelin as Executive Director

Nov
16

MARFA – Ballroom Marfa is pleased to announce Laura Copelin’s appointment to the role of executive director. Copelin joined Ballroom as associate curator in 2014, and has served as the nonprofit organization’s interim director since April 2017. In addition to her administrative leadership position, she will continue in her role as Ballroom’s curator.

“The last few years have been an incredible learning experience,” says Copelin. “I’ve been privileged to work closely with visionary artists and thinkers, while benefiting from the wise guidance of Ballroom’s dedicated founders and board of trustees.”

“I look forward to facilitating more new artwork, ideas, and exhibitions at Ballroom. Together with my multi-talented colleagues, I hope to encourage the production of challenging projects that respond to pressing ecological and social issues, locally and as part of a global conversation.”

“Laura’s curatorial vision is already setting new standards for Ballroom’s programming; combining a keen eye with a deep understanding of the social, political, and environmental issues that are driving the conversation in our culture today,” says Ballroom Marfa Co-Founder and Artistic Director Fairfax Dorn. “Copelin combines this deep engagement in the international art world with true community leadership in Marfa.  We’re fortunate to have her talents and dedication as Ballroom nears its 15th anniversary.”

Copelin organized Ballroom Marfa’s current group exhibition, Tierra. Sangre. Oro., with artist Rafa Esparza. The program is on view until March 18, 2018, and includes new installation, performance, and sculptural work from Esparza alongside collaborations and contributions from artists Carmen Argote, Nao Bustamante, Beatriz Cortez, Timo Fahler, Eamon Ore-Giron, and Star Montana.

In continuing Ballroom Marfa’s partnership with Whitechapel Gallery, Copelin has selected the film Serpent Rain for the 2017 Artists’ Film Internationalprogram. Serpent Rain is a collaboration between philosopher Denise Ferreira da Silva and artist Arjuna Neuman, a video that lyrically addresses slavery, tarot, resource extraction, black lives matter, climate, and timelessness. Ballroom will present this video, along with the other selections from the AFI 2017 series, as part of a weekend of screenings, discussions, and lectures on the November 18-19, 2017.

In Winter 2018 Ballroom will unveil Haroon Mirza’s stone circle, a large-scale outdoor sculpture installed in the high desert grasslands east of Marfa, Texas. The stone circle is Ballroom’s most ambitious public commission since Elmgreen & Dragset’s Prada Marfa was completed in 2005, and is coming to fruition under the careful guidance of Copelin and the team in Marfa.

Ballroom Marfa’s Spring 2018 group exhibition, Hyperobjects, is curated by Copelin and Timothy Morton. Hyperobjects takes its name and organizing principles from Morton’s 2013 book. This exhibition uses ideas from Morton’s theory to confront the overwhelming scale of today’s ecological crisis. The project will include objects and installations from the world of contemporary art alongside objects sourced from the local environment. Hyperobjects will open on April 13, 2018, with a reception and performance that coincides with Ballroom’s 2018 Marfa Myths Festival.

Since 2014 Copelin also helped realize the Sam Falls exhibition and catalogue (2015); the exhibition Äppärät with guest curator Tom Morton (2015); Marfa Dialogues/Houston symposium (2016); the exhibition After Effect (2016); programs, exhibitions, and booklets for Artists’ Film International (2015-2016); and the exhibition Strange Attractor with guest curator Gryphon Rue (2017).

For information on all of these programs, please contact at press@ballroommarfa.org or (432) 729-3600.

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Marfa featured in Hamilton Leithauser’s latest music video

Nov
16

Marfa resident Nancy Wood in the “Heartstruck (Wild Hunger)” music video.

By SARAH M. VASQUEZ

sarah@bigbendnow.com

MARFA – Marfa is the backdrop for indie rocker Hamilton Leithauser’s latest music video for his recording, “Heartstruck (Wild Hunger).”

Filmed by directors The Simonites and creative agency Preacher, based in Austin, the video opens with a fiery heart planted in the Marfa landscape as the musician walks away with a guitar case in hand.

As Leithauser ventures through Marfa, he’s haunted by various women who are unified by their wardrobe. Locals Emma Rogers, Jessica Lutz, Tina Rivera, Nancy Wood and Ashley Adams are among the locals to grace the screen. Other locals, including Moritz Langrebe, Jimi Ball and Marfa Film Festival’s Robin Lambaria worked behind the camera with production.

The concept, though, came from Leithauser. “I’ve had input over the years, but on the whole, I’d really just shown up and been told what to do,” he said.

Inspired by silent movies and shorts from foreign directors, he felt it would be fun to write something symbolic and to express emotion through film with the song. The Marfa setting became his first choice to set the scene after performing at the Crowley Theater last December after a week’s residency here.

He originally pictured a John-Waters-esque feel to the burning heart, but once he started working with the Simonites, the video became more of what he said was a visual spectacle.

“They are pros. Good God, they are pros,” said Leithauser. “Originally I’d imagine maybe an iPhone or two, an outfit change, a rusty old Honda Civic, a plastic red heart from Walmart and a can of gasoline, but these guys really brought out the big guns.”

The Simonites knew they would need to improvise and figure out what they needed when they arrived in Marfa to make the concept come to life. Being at least three hours from convenient big box stores, finding specific items can be difficult.

“It’s so great shooting in Marfa because everybody knows each other to organize something like that,” said Peter Simonite, one of the directors.

The Simonites consist of brothers Peter and Nick Simonite, who both work behind the camera. Peter has done cinematography internationally for films and commercials for clients such as Samsung and Apple, while his brother Nick has done photography all over the globe and has worked in Marfa for the Hotel Saint George and El Cosmico.

The Simonites previously filmed a music video in Far West Texas to indie rock band Whitney’s cover of Lion’s “You’ve Got a Woman.” The video features Rogers and Jon Coleman, most recognizable for giving out change in $2 bills at Food Shark.

Working with Leithauser was a great project, according to Peter, because he was a great sport. Even though the directors never met the musician prior to shooting, they left Leithauser in the middle of Pinto Canyon Road to film him walking in the distance and required early wake up calls to burn hearts in the desert.

“He really went 100 percent into what was put in front of him,” said Peter. “I thought he gave a great performance.”

“Once I’d arrived, it was clear very quickly that I should just shut up and listen to what they had planned,” said Leithauser.

It was fun for the directors to cast locally for the women who sang along to Angel Olsen’s vocals on “Heartstruck (Wild Hunger).”

Mrs. Wood was walking across the street from paying her car registration at the Presidio County Courthouse when she was approached to be in the video. She’s never done something like this before, but to her, it was fun. The crew wrapped a prominent pink scarf around her neck and gave her a bathrobe from wardrobe. Robin Lambaria held up cards with the lyrics for Wood to sing along as the video rolled.

“I thought it was really neat to be in something like that just out of the blue,” said Wood. “It was a surprise.”

“She was awesome,” said Peter. “She was one of our most favorite people to film. It was a fun operation to run around with these cue cards and put on a pink scarf.”

The brothers also featured their sister Francesca in a blink-and-you-miss cameo in front of the Big Bend Sentinel Marfa office, making it their first family production.

“Peter and I are close,” said Nick. “It’s just a fun opportunity to start collaborating and work together. We come from different backgrounds.”

“I’m really inspired by Nick’s photography,” said Peter. “I really feel like he does things I can’t do and I do things he can’t do. It was neat to add Francesca in the mix too.”

The music video debuted online in October and naturally, the Marfa community shared it on social media. The Simonites hope to find other projects to film in Marfa in the future.

“We really found a crew that we love,” said Peter. “It’s an inspiring landscape and town.”

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Cars are canvass for ArtWalk featured artist

Nov
16

(photo by JIM STREET)
Jon Sufficool posed recently with his creation, the “Meteor Motor Home,” so called because of a shooting star emblem on its hubcaps. Sufficool is the “Featured Artist for Alpine’s ArtWalk Friday and Saturday.

ALPINE – The Featured Artist for Alpine’s 24th Annual ArtWalk on Friday and Saturday is Jon Sufficool of Alpine, best known for his iconic art cars.

But other Sufficool works will be also shown at TransPecos Bank, 102 W. Avenue E and in a street exhibit on 5th Street between Avenue E and Holland Avenue.

That block of 5th will be closed for art exhibits and live music this weekend.

Sufficool has been working with cars since he was growing up on a ranch 60 miles from Palm Springs, California. He told the Big Bend Sentinel Marfa/Presidio International that his father was not mechanically inclined.

When a vehicle broke down, he would just leave it on the ranch and get another one. When Jon wanted a vehicle to drive, he got out his tools and fixed up an abandoned vehicle for his own use.

“He’s a jewel of the desert,” ArtWalk co-creator Keri Blackman said. “Nobody recognizes that and we wanted to bring awareness to the area.”

She said the ArtWalk Board voted unanimously to name him this year’s featured artist.

Blackman said the board first named all the artists in the Tri-County area, and Sufficool quickly rose to the top of the list.

“Jon’s art cars have been a staple of Big Bend celebrations for many years and we are very proud to feature him and his work,” she said.

Many of his mobile works of art are made of spare parts he found along the way. One of the best known is his “Meteor Motor Home,” a camper built on the back of a 1920s-era truck.

“I call it the “Meteor Motor Home,” he said. “The hubcaps have a shooting star on them. It was inspired by Carl Thain and I got parts from Bill Ivy and his father Rex in a junk yard in Terlingua.”

A four-wheel-drive vehicle also was made of spare parts he found in Terlingua and it took him through Northern Mexico.

“It was a real conversation starter,” he said. “A new one I’m still building is a five-passenger stretch limo.

“With a car, I can take it to where people are,” he said. “I’ll drive it for years and then sell it. They are all priced very high. I’ll drive it until I find someone who will pay that price. I’ve got to find people who have a lot of money because they are going to be expensive.”

A major feature of ArtWalk has been the annual parade of cars at noon on Saturday.

The 2017 Parade will be led by the “ArtRod,” a $1.2-million creation of artist Steven Vaughan. Several other visiting Art Cars will follow.

But cars are not Sufficool’s only canvas.

“I have done 10 to 14 sculptures of the Big Bend area,” he said. “I love the Big Bend Country.

“I have photographs of the Big Bend through car windows,” he said. “I acquired some windows and doors of very old cars and it looks a lot like you are looking out the window of a car at the Big Bend scene.”

Sufficool said Palm Springs used to be a place where the rich and famous came to get away from Hollywood, along with the people that served them like house servants.

“It was a good place to sell art,” he said. “I learned to work in iron wood which is harder than Mesquite. It’s similar to teak but it’s taken from above ground and is not as thick. When it is sand blasted and cleaned up, it is about the color of ebony. I’ve been self-employed all my life.

“One of my displays at ArtWalk will be what I call ‘In the Hood’ on 5th Street,” Sufficool said. “I’ve got a bunch of old car hoods and some 30 artists will use them as their canvas.

“I’ll also put out some fireplaces I’ve built in case it gets cold.”

ArtWalk grew out of Gallery Night, a modest open house for local art galleries starting in 1994.

Since then, it has grown into a city-wide celebration of art and music.

This year, 28 displays of original artwork will open all over downtown Alpine, many of them accompanied by live music.

Some will be in permanent galleries and some new exhibits will be shown just for the weekend.

In the evenings, the emphasis will be on live music with performances at the Granada Theatre, Railroad Blues and the recently-reopened Ole Crystal Bar.

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Marfa Live Arts screens “Columbus” on Monday

Nov
02

MARFA – Marfa Live Arts presents a screening of “Columbus,” a much acclaimed independent feature directed by Kogonada, which debuted at Sundance, and is being released theatrically this fall.

The screening will be in the Adobe Room at The Lumberyard at 7:30pm on Monday, November 6.

“Columbus” unfolds as a renowned architecture scholar falls suddenly ill during a speaking tour, and his son Jin (John Cho) finds himself stranded in Columbus, Indiana – a small Midwestern town celebrated for its many significant modernist buildings. Jin strikes up a friendship with Casey (Haley Lu Richardson), a young architecture enthusiast who works at the local library. As their intimacy develops, Jin and Casey explore both the town and their conflicted emotions: Jin’s estranged relationship with his father, and Casey’s reluctance to leave Columbus and her troubled mother.

With its naturalistic rhythms and empathy for the complexities of families, debut director Kogonada’s “Columbus” unfolds as a gently drifting, deeply absorbing conversation about grief, loss, and the subtle power of architectural space. With strong supporting turns from Parker Posey, Rory Culkin, and Michelle Forbes, “Columbus” is a showcase for Kogonada’s ability to show that physical space can genuinely affect emotions.

Kogonada is a proud Korean immigrant, born in Seoul and raised in the Midwest. He has been noted by Filmmaker Magazine (25 New Faces of Independent Film) and The New Yorker for his visual work and film criticism pieces, commissioned by the Criterion Collection and Sight & Sound.

Columbus, Indiana is a city of only 46,000 people, yet The American Institute of Architects ranked it 6th in the nation for architectural innovation and design – right behind Chicago, New York, Boston, San Francisco, and Washington, D.C. Columbus has over 75 modernist buildings and pieces of public art designed by internationally-noted architects and artists including  Eliel Saarinen, Eero Saarinen, Skidmore, Owings & Merrill, Harry Weese, Richard Meier, Robert Venturi, Kevin Roche, I.M. Pei, Cesar Pelli, Robert A.M. Stern, Carlos Jimenez (who designed Marfa’s Hotel Saint George), James Stewart Polshek and Deborah Berke.

Local film producer Susan Kirr grew up in Columbus, and will make some introductory remarks about the film

This is a free event, more information on www.marfalivearts.org.

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Award-winning documentary screens this evening in Marfa

Nov
02

MARFA – in front of us presents Faces Places, the most recent film by Agnès Varda at the Crowley Theater this Thursday, November 2 at 7:30pm.

The film, which Varda co-directed with the French photography and muralist, JR, was awarded the Golden Eye award for Best Documentary at Cannes Film Festival this year. The screening is free but seating is limited.

Here’s a passage from a recent review in the New York Times: At 89, Agnès Varda is an artist with nothing to prove and everything to discover. A small woman with a two-toned pageboy and an open, unsentimental manner, she is an ideal traveling companion: a wise and canny guide, an impetuous risk-taker, a trusted friend.

Her recent documentaries, while not exactly confessional, are unabashedly personal, infused with her voice, her eye, her wry and rueful on-camera presence. Each film is a map of her thinking, a record of her musings and insights as she explores parts of the modern world — especially but not exclusively France — that less attentive voyagers might overlook.

The latest of these adventures, “Faces Places,” finds Ms. Varda in the company of a younger comrade, the 34-year-old French photographer and environmental artist known as JR. Together they set out on a series of meandering road trips through agricultural and industrial towns, talking to people and taking their pictures. (The French title, “Visages Villages,” is more specific than the English version about the kinds of places that interest them.) JR’s van is equipped with a printer that produces portraits big enough to cover the sides of barns, houses and apartment buildings and even, magnificently, a towering stack of shipping containers.

Faces Places is the first in a series of films by Varda which in front of us will present in November. Varda, whose works include Cleo from 5 to 7, La Pointe Courte, Jacquot de Nantes, The Gleaners and I, The Beaches of Agnes, among many others, was a leading filmmaker of the French New Wave movement and has continued to make innovative and influential works to the present.

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Big Bend Chamber Music presents guitar ensemble and Molly Ferguson

Nov
02

ALPINE – Big Bend Chamber Music presents an evening of ensemble and solo guitar at 6pm Friday, November 10 at St. James Episcopal Church in Alpine.

The first part of the program features Molly Ferguson, a Sul Ross State University music education major in her senior recital. Her program includes works from the Classical, Romantic and Renaissance eras.

The second part of the program will be performed by Recuerdos, the Sul Ross Guitar Ensemble.  In addition to instrumental pieces from the Renaissance and jazz styles, they will also perform songs from Cuba, Brazil and Mexico featuring Molly Ferguson on vocals and Omar Guerrero on percussion.

The Sul Ross Guitar Ensemble is comprised of Molly Ferguson, Nicholas Westerlink, Christian Diaz-Sosa and guest percussionist Omar Guerrero. It is under the direction of faculty member Steven Bennack.

The concert is free and a reception with the artists follows. St. James is located at Ave. A and N. 6th St. in Alpine.

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Big Bend Chamber Music concert is Friday

Oct
26

ALPINE – At 7PM on Friday, October 27, at St. James Episcopal Church in Alpine, Big Bend Chamber Music will present a concert featuring Mary Elizabeth Thompson, flute, Jorge Martinez-Rios, viola and Hope Cowan, harp in a program that will include the Sonata for flute, viola, and harp by Claude Debussy, Embracing the Wind by American composer Robert Paterson, Histoire du Tango for flute and harp by Astor Piazzolla and Submerged by American/Uruguayan composer Miguel del Aguila.

Thompson, who is the Director of Instrumental Studies at Sul Ross State University, also performs currently with the Las Cruces Symphony. She spent a year in Mexico City as a Fulbright-García Robles Scholar engaging in postdoctoral research in contemporary Mexican music for flute with renowned flutist Alejandro Escuer

Jorge Martinez-Rios studied viola at the Conservatorio de las Rosas in Morelia, Mexico. In 2012 he was a featured artist on the Latin Grammy Winner recording of the Seresta for Double Quartet. He has performed worldwide and is currently associate professor at the New Mexico State University department of music and principal violist of the Las Cruces Symphony.

Hope Cowan performs as a soloist, orchestral musician and chamber musician in the greater Houston area.  She is principal harpist of the El Paso Symphony Orchestra and is on the faculty for the Houston Summer Harp Festival.  She has a Bachelor of Music degree from the University of Houston and a Master of Music degree from Rice University.

The concert is free, and an opportunity to support the travel expenses of the trio will be part of the evening. A reception with the artists follows the concert. St. James is located at N. 6th St. and Ave. A in Alpine.

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Marfa Studio of Arts hosts Halloween spook show

Oct
20

Sir Witch

MARFA – Marfa Studio of Arts (MSA) will host the Third Annual Halloween Spook Show featuring Rae Red (Rae Anna Hample of Marfa) and Sir Witch (Michael Serwich of Albuquerque, New Mexico) who are touring a series of mirthfully macabre puppet vignettes through Marfa and Austin.

They will perform at 7:30pm on October 23 in the MSA space next to Marfa Public Radio on San Antonio Street. $5 suggested donation and kids get in free.

The show incorporates a very large array of stimulating and terrifying elements (marionettes, shadow puppetry, song, toy theater, animation & rod puppets to name a few) which kaleidoscopically overlap to generate a spooktacular evening of ghoulishly good & visceral entertainment.

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Marfa Open art festival in Southeast Asia

Oct
20

MARFA – After two successful weeks in Marfa, a creative team is taking Marfa Open on the road to Chiang Mai, Thailand and to Ho Chi Minh City, Vietnam (HCMC – Saigon, District 2).

The creative team started working in Marfa on events to be held in March 2018. The resulting art performances are being coordinated through Associazione Culturale Trivu in Ferrara, Italy. The Trivu project promotes cultural exchange and diversity and will have international screenings of videoart works about WATER, for our shared humanity and planet. The projects will be screened around the world on 22 March 2018, International Water Day.

Other screening locations include Marfa; Magdalena, NM; Miami; Ferrara, Italy; Zürich, Switzerland; and other locations to be selected. A Marfa Open collaborator, the Museum of Human Achievement in Austin, is also competing to present.

Jared Menane, the 2017 Marfa Open Art Innovation prize winner, heads the creative team of local, Marfa artists. Members of this team will travel to Southeast Asia in March to present the project and then broadcast the project to the world on International Water Day.

The Marfa project consists of submersible, oscillating sound frequency generators; sensor triggers; LED wetsuits for underwater performers; cymatics (wave and vibration forms); projection mapping; and water puppets. These elements will interact to create a symphony of effects based on the interactions of water, light, and sound for viewers’ multi-sensory experience. Specifically, a video projector will cast light into swimming pools (or other clear, deep pools of water) where four submersible oscillating sound frequency generators (SOSFG or sauce-feg) will be positioned to work with sensors that convert light information into directives/prompts/programmed responses triggering the SOSFGs to emit resonant frequencies that create cymatic patterns/whirlpool effects/other effects in the water. The sound emitted by the SOSFGs will in turn trigger pre-programmed patterns on the LED wetsuits worn by swimmer/performers. The wetsuits will have sensors that translate sound into directives/prompts/programmed responses that will change the patterns of LEDs on the wetsuits.

There are many possibilities in this project which will be a continually evolving experiment to evoke hyper-technicolor sub-aqueous sensations. Art performance spectators will be treated to an evening of water performance, synchronizing interactions between human, light, sound, movement, and water.

This project is sponsored by Marfa Open Art Festival which has a mission to spread the Marfa creative seed by taking some good works of locals into the world. To become more involved in projects like this, contact Seph Itz and check marfaopen.com for updates.

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